Was great to receive in the post a beautiful new publication from Sam Belinfante, ‘On the Circulation of Blood’, which documents his Folkestone Triennial project. My score for Beacons is included, as are scores by a group of amazing composers including Neil Luck, Josephine Stephenson, Elaine Mitchener, Sarah Dacey and Bernhard Schimpelsberger. Studio recordings of the scores have been released bandcamp too.
The ‘Beacons’ score
You can find out more and buy the Extended Score and Album here:
Sam Belinfante’s ‘On the Circulation of Blood’ is an itinerant, multimedia installation and performance work as part of ‘The Plot’, the fifth edition of Creative Folkestone Triennial. Initially unfolding at The Old Drying Grounds, adjacent to St Peter’s School, the work will then move to the Lower Leas Amphitheatre for this final performance.
The installation and performances will include my newly commissioned piece that I made in contribution to the project: ‘Beacons’ alongside new pieces by Sarah Dacey, Neil Luck, Elaine Mitchener, Bernhard Schimpelsberger and Josephine Stephenson.
I was in Folkestone a few weeks ago for the first day of performances of Sam Belinfante’s great new piece for Folkestone Triennial, On the Circulation of Blood. Was awesome to hear it all come together and really proud to have played just a small part. Here is a film about the project (my piece for the project appears later in the film).
Sam Belinfante's 'On the Circulation of Blood' is an itinerant, multimedia installation and performance work as part of ‘The Plot’, the fifth edition of Creative Folkestone Triennial. Initially unfolding at The Old Drying Grounds, adjacent to St Peter’s School, the work will then move to Market Place in central Folkestone before making its final journey to the Lower Leas Amphitheatre.
The installation and performances will include my newly commissioned piece that I made in contribution to the project: 'Beacons' alongside new pieces by Sarah Dacey, Neil Luck, Elaine Mitchener, Bernhard Schimpelsberger and Josephine Stephenson.
Sam Belinfante's 'On the Circulation of Blood' is an itinerant, multimedia installation and performance work as part of ‘The Plot’, the fifth edition of Creative Folkestone Triennial. Initially unfolding at The Old Drying Grounds, adjacent to St Peter’s School, the work will then move to Market Place in central Folkestone before making its final journey to the Lower Leas Amphitheatre.
The installation and performances will include my newly commissioned piece that I made in contribution to the project: 'Beacons' alongside new pieces by Sarah Dacey, Neil Luck, Elaine Mitchener, Bernhard Schimpelsberger and Josephine Stephenson.
Sam Belinfante's 'On the Circulation of Blood' is an itinerant, multimedia installation and performance work as part of ‘The Plot’, the fifth edition of Creative Folkestone Triennial. Initially unfolding at The Old Drying Grounds, adjacent to St Peter’s School, the work will then move to Market Place in central Folkestone before making its final journey to the Lower Leas Amphitheatre.
The installation and performances will include my newly commissioned piece that I made in contribution to the project: 'Beacons' alongside new pieces by Sarah Dacey, Neil Luck, Elaine Mitchener, Bernhard Schimpelsberger and Josephine Stephenson.
Sam’s work is an itinerant, multimedia installation and performance work as part of ‘The Plot’, the fifth edition of Creative Folkestone Triennial. Initially unfolding at The Old Drying Grounds, adjacent to St Peter’s School in Folkestone, the work will then move to Market Place in central Folkestone before making its final journey to the Lower Leas Amphitheatre. At the heart of the project is a series of monumental, outdoor installations constructed from specially adapted theatrical apparatuses and bespoke fabric netting. It’s going to be an amazing thing.
I am working on a new piece for choir, piano and live electronics which the Musarc choir will workshop and perform at St. Stephen Walbrook on 1st July. I’m really excited to be working with Musarc and in such a fantastic space! Please come either to be involved in the workshop or to the concert at 8.30pm.
I am excited to be taking part in an interesting art project at the Slade Art School, The Voice and Nothing More. The event is curated by Sam Belinfante and Neil Luck. I’ll be collaborating with visual artist Diana Taylor on a new piece for female voice and electronics that will be performed by Lore Lixembourg and myself on Thursday 15th January.
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