A new version of music I co-created with Hollie Harding back in 2019 for a collaboration with director Josh Ben-Tovim will feature as part of an Impermanence quadruple bill of dance works.
The new version of ‘Enemy of the Stars’ features a new recording for contemporary classical chamber ensemble in counterpoint with intricate drone soundscapes.
A new version of music I co-created with Hollie Harding back in 2019 for a collaboration with director Josh Ben-Tovim will feature as part of an Impermanence quadruple bill of dance works.
The new version of ‘Enemy of the Stars’ features a new recording for contemporary classical chamber ensemble in counterpoint with intricate drone soundscapes.
A new version of music I co-created with Hollie Harding back in 2019 for a collaboration with director Josh Ben-Tovim will feature as part of an Impermanence quadruple bill of dance works.
The new version of ‘Enemy of the Stars’ features a new recording for contemporary classical chamber ensemble in counterpoint with intricate drone soundscapes.
A new version of music I co-created with Hollie Harding back in 2019 for a collaboration with director Josh Ben-Tovim will feature as part of an Impermanence quadruple bill of dance works.
The new version of ‘Enemy of the Stars’ features a new recording for contemporary classical chamber ensemble in counterpoint with intricate drone soundscapes.
A new version of music I co-created with Hollie Harding back in 2019 for a collaboration with director Josh Ben-Tovim will feature as part of an Impermanence quadruple bill of dance works.
The new version of ‘Enemy of the Stars’ features a new recording for contemporary classical chamber ensemble in counterpoint with intricate drone soundscapes.
At last year’s Cohan Collective Dance Residency I worked with choreographer Joshua Ben-Tovim and composer Hollie Harding on a new work Enemy of the Stars. A BBC New Creatives film, BLAST, directed by Roseanna Anderson and Josh (http://impermanence.co.uk/), emerged from this collaboration. The film was inspired by the Vorticist journal – BLAST – which was edited by Wyndham Lewis. The journal included short stories, numerous illustrations, poems and a manifesto signed by 11 artists including Ezra Pound and Gaudier Brzeska. Hollie and I worked together to create the music for the film from musical materials we developed last summer.
The film evokes the pulsing energy of early modernist Britain with its experiments in form and desire to manifest a utopian future. We sit alongside a female audience and follow an artist, two dancers and two lovers, with the heavy shadow of retrospect, knowing the carnage and decimation that was to follow this remarkable period of productivity.
I’m super looking forward to conducting Hollie Harding‘s new PLAYLIST commission Regeneration on 1 November at God’s House Tower in Southampton. We will also perform amazing Villa Lobos’ Choros No. 7…
I had a fantastic week last week taking part in the Development week of the Cohan Collective. I was collaborating with choreographer Josh Ben-Tovim and composer Hollie Harding, creating a new 15-minute piece ‘Enemy of the Stars’. Looking forward to seeing how the project develops…
I had a great time at the Cohan Collective Residency in Bournemouth last month. I was one of four composers and four choreographers on the course, which was directed by Robert Cohan and Eleanor Alberga with Kim Brandstrup and Ken Hesketh mentoring. It was super intense. I think we pretty much wrote half an hour of music in 2 weeks! Felt like being an undegrad again – good for my teaching and, in the end, for my work. Met some great people who I hope to work with again. Few pics…
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